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Nocturne in C Sharp Minor

This document is a musical score for Chopin's Nocturne in C sharp Minor. It consists of musical notation written using symbols. The score has a slow, melancholy feel and makes prominent use of chromatic scales and arpeggios. It is structured in a repetitive theme and variation form typical of nocturnes of the time.

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onavircs
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43 views

Nocturne in C Sharp Minor

This document is a musical score for Chopin's Nocturne in C sharp Minor. It consists of musical notation written using symbols. The score has a slow, melancholy feel and makes prominent use of chromatic scales and arpeggios. It is structured in a repetitive theme and variation form typical of nocturnes of the time.

Uploaded by

onavircs
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Nocturne in C sharp Minor

Chopin

          

             
        
= 65

 
 
         
 
  
  
 

   

 

      
   
 

6

        
     
    
3


   



     
 
     
10


           

      

          

           

  

      
 
14

    
     
    
3 3 3

  
3 3

 
              
  
17

 
      
              
      

      
               
        
2

        
 
21

    
  
       
        
3 3


   
                
 
25

 
3 3



             


 
           

        
     
      
     
 
28


           
        
     

              
             
31


3

 
                         
 allargando

 
   
3

      
3

      
35


               
               
3 3 3

          
 3 
  
3

     
3

    
 
41 3

                 
rit........................................

   
          
3 3 3


 3  3  3

  
      
= 65 3


    
A Tempo
46

     
     
     



        

          
 
49

   
3 3 3

 
3

 
3


    
      

  
             
        

52

            
    
3 3 3 3


3

  
    


           

55

           
    
         

        
           
 
58

   
   



9


9


        
        
4

  

        
59

   
     
35

         
     
     
60

      
        
     
11 13


 
   
  
63


        



       
rall.

   


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